Lollipop chainsaw cordelia11/22/2023 As a matter of fact, no one is actually smarter than Juliet in this game. They are two peas in a pod, both comparable to dim bulbs in a box. With the way this title was torn down across the board, I assumed Nick would play the straight man, or at least the smarter man, but he and Juliet are on the same level. I feel like her character is more like Lennie from Of Mice and Men – slightly simple but devoted and genuine. Instead of doing something to a woman, Suda51 has put the player into the body of Juliet. Coincidentally, that's how I spent most of my experience playing Lollipop Chainsaw.Īnother concern is the thin line between this game and one centered around – oh, I don't know – beating a woman? I would never lump this title in with something like Beat Up Anita Sarkeesian, because Lollipop Chainsaw doesn't foster a sense of belonging in the sexual remarks and actions. Yes, they are commenting on our culture, but at the end of the day, Suda51 isn't really explaining how he feels, just pointing and laughing. It's so safe that I almost can't respect the angle Grasshopper Manufacture is taking. Lollipop Chainsaw isn't making statements – it is reviewing precedents that are already in place.Īnd really, satire is the safest way to go. Johnny Cash was a known racist and people still loved him and supported his music. As a culture, we idolize Elvis – a man who is known for eating and medicating himself to death. Suda51 is taking deep jabs at the music culture in America over the last 50+ years. On that merit alone, this game shouldn't be taken seriously. It's no wonder that Lollipop Chainsaw focuses so heavily on that theme. If we're looking for comedy fodder, the music industry is a gold mine. We have been playing creepy dress-up with real women for years, stuffing pop stars into outfits that make me blush. So who is to blame for what we experience when playing this title? The music industry birthed these characters and the majority made them popular, blared from every radio station on Top 40 hits, then recycled into Kidz Bop 295. At one point, she even dolls up Juliet's boyfriend, Nick, to look like David Bowie. Rosalind, with her tu-tus, endless sense of romance and dramatic attitude, represents Cyndi Lauper and the 80s pop movement. Cordelia is the hard-edged, violence-loving punk rounding out the trio. Juliet is obviously Britney Spears, circa the mid-90s, with the naivety and clothing to match. Outside of the obvious Shakespearean implications, each person in Lollipop Chainsaw corresponds very directly to a pop culture music icon.
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